Hardison Certified Educator This is an interesting question and one that is a little difficult to answer because the Renaissance tragic hero--the Shakespearean tragic hero--took on some aspects that were rather different from the aspects defining the Aristotelian tragic hero.
MacBeth - Trajedy or Satire? William Shakespeare wrote four great tragedies, the last of which was written in and titled Macbeth.
Macbeth understands the reasons for resisting evil and yet he proceeds with a disastrous plan, instigated by the prophecies of the three Weird Sisters. Thus we must ask the question: If Macbeth is acting on the impulses stimulated by the prophecies of his fate, is this Shakespearean work of art really a Tragedy?
Aristotle, one of the greatest men in the history of human thought, interpreted Tragedy as a genre aimed to present a heightened and harmonious imitation of nature, and, in particular, those aspects of nature that touch most closely upon human life.
This I think Macbeth attains. However, Aristotle adds a few conditions. According to Aristotle, a tragedy must have six parts: Most important is the plot, the structure of the incidents. Tragedy is not an imitation of men, but of action and life.
Aristotle stated, in response to Plato, that tragedy produces a healthful effect on the human character through a katharsis, a "proper purgation" of "pity and terror. Tragedy deals with the element of evil, with what we least want and most fear to face, and with what is destructive to human life and values.
It also draws out our ability to sympathize with the tragic character, feeling some of the impact of the evil ourselves. Does Macbeth succeed at this level? Can the reader feel pity and terror for Macbeth? Can the reader "purge" his emotions of pity and fear by placing himself in the chains of fate Macbeth has been imprisoned in?
Or does he feel the power and greed upon which Macbeth thrives, prospers, and finally falls? I believe the latter is the more likely reaction, and that the reader sees Macbeth as a bad guy, feeling little or no pity for him. Aristotle also insists that the main character of a tragedy must have a "tragic flaw.
To allow the character to simply be a victim of unpredictable and undeserved calamities would violate the complete, self-contained unity of action in the tragedy. If that is so, and if we assume that the group of three witches is a realistic possibility, then is not Macbeth such a victim?
Does he really deserve the misfortune that is brought him by his fortune? After all, Macbeth is introduced to the reader as an honest and humble leader. His fate, once having been revealed to him, drives him to greed, elevates his lust for power, and coins a conceited and misguided trust in his seemingly eternal mortality.
Diction, the expression of the meaning in words, is near perfect in Macbeth, simply because it is written by William Shakespeare, the inventor of perfect diction.
Thought-the task of saying what is possible and pertinent in the circumstances of the play-can not be disputed. Spectacle and Song are the effects that highlight the play, and are pertinent in providing an emotional attraction.
Such elements are easily found in Shakespeare. Macbeth is written with the style and grace that only Shakespeare could provide. Thus, these elements of tragic drama can not be challenged in this argument. While we need to consider that Macbeth strives on power, and in doing so loses his values of humility and humanity, it should not be forgotten that Macbeth does, at certain times, feel remorse for things he has done.
But wherefore could not I pronounce "Amen"?Compared with these strict rules, Shakespeare's tragedy is a more relaxed genre, but Othello much more than, for example, the sprawling Hamlet, observes the spirit of Aristotle.
Othello, apart from Act I in Venice, is located . Analysis Of Shakespeare 's Macbeth By William Shakespeare Words | 6 Pages Known for his tragedy, intrigue, comedy, and romance, Shakespeare extends his boundary of prowess in . William Shakespeare’s The Tragedy of Macbeth is a perfect mold of an Aristotelian Tragedy.
It displays all eight aspects of Aristotle’s definition of tragedy. It is set mainly in Scotland, but briefly in England during the eleventh century.
- Macbeth: Aristotelian Tragedy The definition of tragedy in an excerpt from Aristotle's "Poetics" is the re-creation, complete within itself, of an important moral action. The relevance of Aristotle's Poetics to Shakespeare's play Macbeth defines the making of a dramatic tragedy and presents the general principles of the construction of this.
by: William Shakespeare Shakespeare’s play about a Scottish nobleman and his wife who murder their king for his throne charts the extremes of ambition and guilt. First staged in , Macbeth ’s three witches and other dark .
Analysis Accordance with the title, the writer would analyzing Macbeth based on Aristotle‟s theories of tragedy. Aristotle (The Poetics of Aristotle: 10) define that tragedy is an imitation of serious action which has a certain magnitude.